Telemachus' Baby Odyssey

One thing that interested me in our class discussions of the Telemachiad was the purpose – or lack thereof – of Athena sending him on his mission. What’s the point? By any normal measure, the journey is pointless – his father is alive and well, and through the help of the Phaeacians, he’s coming home safely. Odysseus is no longer in any danger, and if Telemachus had kept his butt in place, Athena could easily have set up a meeting between the two when Odysseus got home. She started the journey too late for Telemachus to actually help his dad out (seven years of Athena telling Telemachus nothing while Odysseus was stuck on Ogygia comes to mind), and while he is technically gaining more information, it’s all ten years out of date. He’s not achieving much of anything, and he’s not in any personal danger. So why bother?
In class, we talked about how Telemachus needs to grow up and gain some agency – the boy we see in the opening book isn’t exactly heroic. He’s sulking and pouty, tells his mom off, and ends up crying when he tries to address the assembly. He’s obviously got Odysseus’ noble heart, and tries to help out the visitor (Mentor/Athena) and explain to Ithaca what is happening to his house, but he doesn’t have the maturity necessary to pull it off – he’s too passive and ineffectual to make a difference in his own home. One common thread in the Telemachiad is comparisons between Odysseus’ situation and Agamemnon’s – connecting the characters of Orestes and Telemachus. As sons abandoned by warrior fathers, they both became passive and allowed that father’s household to be defiled. Orestes received a prophecy (I think it was a prophecy. I haven’t read the Oresteia since freshman year) telling him that it was his responsibility to man up and right the wrongs done be Clytemnestra and Aegisthus. Now Telemachus has reached a similar part in his story – a part where he has to gain some agency and some more control over his own life. However, I think a more interesting comparison between Orestes and Telemachus comes before they begin their “journeys.” Both were basically abandoned by their fathers at young ages, Telemachus never even having known his, and raised in households not only devoid of a father figure, but with men who were explicitly horrible, awful, no-good people – and both developed into fairly quiet, ineffectual characters as a result. Orestes lets Aegisthus and Clytemnestra reign as tyrants for years, and Telemachus begins his story as a subordinate to the suitors within his own house. Neither have the bravery or confidence to do anything.
Basically, I think it’s overcoming this mindset – quiet, useless, incapable of heroism – that is the real reason that Athena sends him on his journey. Based on his weird life circumstances, I’m betting Telemachus has grown up in a pretty warped mindset – he’s gone his entire life hearing mythicized stories of his father’s battle valor, his brilliance, his courage, stories probably amplified by the people telling it to him (loyal servants, Penelope, Laertes, or the grandma whose name I don’t feel like looking up). As a young boy, he’d naturally want to follow in his father’s footsteps and prove himself, conquering some great danger. But Telemachus’ greatest enemy is the suitors, who he is not at all capable of defeating. His entire life, his father has been his personal hero, who faced down armies, but at his first real challenge, a bunch of drunk idiots harassing his mom, he’s proven himself useless. Naturally, this isn’t actually fair. Going by the timeline, Telemachus was somewhere between ten and fifteen years old when the suitors moved in. He couldn’t exactly take them on, and they were at least partially within their rights to stay at first. Telemachus probably lived most of his teenage years in this environment, to the point that when he is old enough to assume duties as the master of the house, he’s been stuck in this situation for too long. He doesn’t know how to fight back. Telemachus has also probably been romanticizing a larger-than-life version of his father his entire life, and it seems like he’s been punishing himself for failing at defending his father’s house and his memory. He doesn’t even acknowledge Odysseus as his father in the beginning of the book. Maybe he’s questioning his mother’s faithfulness – but maybe he’s questioning himself. He’s never been able to prove himself worthy of his father’s throne. How could he be the son of a man so absolutely perfect, when all he’s ever done is fail? Maybe Athena wants to send him on this journey to give him some other way of looking at the world – something besides a boy who could never do anything right, couldn’t protect his mother or his palace or his legacy. If Telemachus had just waited a few more weeks until his dad finally made it, he still would have been a sulking, self-hating little boy.
But instead, through his miniature, no-stakes journey, Telemachus finally gains his own character arc – he gets a chance to learn about his father from the men who fought beside him, he gets information, he matures, learning public speaking and diplomacy, and he kicks off the suitor’s plan to kill him (yay, more reasons to slaughter them). And on top of all that, it motivates him. Now, he knows his father. He knows his legacy. Even Helen comments on how he looks like his father – Telemachus can finally identify with his unknown dad. It makes Odysseus more human to him. He’s not a mythical figure built by Penelope’s tales. He’s a man, he had friends, he had soldiers, and now he has a son with some actual motivation. At the end of the Telemachiad, the boy who started out whiny and sulking and ineffectual is sailing home with a goddess at his side, a crew at his command, and a newfound righteous desire to kick some suitor butt. So yeah, I think Athena had a purpose when she sent him off on his journey. She’s the goddess of battle strategy. I think she knew exactly what she was doing. 

Comments

  1. Another thing the period I'm in talked about is that Athena sent Telemachus on a quest so as to make him look better to his father when he gets home. If Odysseus got home and saw that his son was quailing under the suitors, he would be disappointed in both Telemachus and Penelope. By sending Telemachus off to "become a man," it betters Odysseus' view of him when he returns.

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  2. I do wonder what kind of impact the presence of the suitors had on Telemachus' development during his teenage years. Those years should be an influential time in Telemachus' maturity and can be very influential in what type of person he grows up to be. I would imagine that having all these men constantly in your house, acting entitled to all of your wealth would be something very intimidating to a young teenage Telemachus. Similarly, with his only parental figure as his mourning mother, it makes sense that he might not have been able to develop the skills he would need to stand up to the suitors, and as you point out, there's no way Telemachus could have taken on all the suitors by himself. I kind of wonder if Athena felt she needed to step in to help Telemachus develop a bit of a backbone in anticipation of Odysseus' return. Would Odysseus be disappointed in the type of man his son has become? I guess we'll see if Athena's journey for him made an impact and what Odysseus' reaction to Telemachus is when we reach that point in the book....I imagine it'll be a little bit awkward (I might be disappointed if it isn't).

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  3. I love your comparison of Telemachus and Orestes in this blog post! I think it is a very apt description and there is also an interesting (yet not very meaningful) difference between the two young men. While Orestes' mother conspires with Aegistes (is that his name?) against Agamemnon, Penelope remains loyal to Odysseus throughout the years. This situation gives Orestes something he needs to fight for; something he needs to grow up for, while Telemachus, having given in to the suitor's presence isn't under any pretense that he is going to kick them out. He's tried that, it's pretty obvious he won't win as long as everyone thinks Odysseus is dead. However, since Penelope is still loyal, Telemachus doesn't have a revenge plot to make him grow up, so Athena is sort of taking a leaf out of the Agamemnon book in finding something for him to do to find his father.

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  4. I enjoy this theory. Personally, I agree with your assumption that if Telemachus had waited at home and met Odysseus when he returned, he'd only feel worse about himself. Not only was his father amazing at everything, he never gave up on returning and made it home with an even more heroic tale than before. And it's also just nice to see Telemachus gain some purpose and self-confidence. While it's funny enough to imagine him skirting around his own home and being scared of the suitors, it was also kind of sad. He hasn't had a nice childhood, and if he had continued along the path of meekness that he was heading down, his adult life wouldn't have been much different.

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  5. I completely agree that Athena had a goal for Telemachus' journey. I think she was focusing on making him grow up and be a more worthy son of his father. Given the timeline, when Athena shows up to help him, he's pretty much an adult... who is still acting like a whiny teenager. That's a little awkward. Good job on the post!

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  6. great post, I think your theory makes a lot of sense. in the context of the story itself, i think the telemachiad serves as a sort of introduction to what were dealing with because it goes through the stories of Odysseus and sets up everything that has occurred and what is happening when Odysseus returns to Ithaca.

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  7. I agree that Athena definitely had a plan when she sent off Telemachus on his quest. I also see it as a way to build up his confidence. Like you said, he grew up listening to stories about his heroic father and he never had the chance to do anything. Now that he has gone on this little quest, he will have something in common with his father when Odysseus returns and can even aid him in his quest. Nice post.

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  8. It's not an *entirely* no-stakes journey--he does face a potentially deadly ambush plot on his arrival back in Ithaca, a plot that is a direct result of the "provocation" of him presuming to take this journey, which signals to the suitors that he's now an adversary of sorts. We might see this tight situation as analogous to Odysseus's passage by Scylla and Charybdis--monsters that wait in "ambush" for sailors. He has a narrow passage he must get through in order to return home safely. Strangely, though, his evasion of the ambush is pretty anticlimactic--Athena instructs him to take a slightly different route, and they sneak in undetected. But the fact is, he does face a murder plot, one that resumes after he gets home. The stakes are gradually rising, and he's about to take a real risk as he and his father attempt to take back the palace.

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  9. The part of this blog post that caught my attention the most was the mention of Telemachus' screwed-up childhood, and how that had significant influence on how he acts at the start of the Telemachiad.
    Even though we are now at the end of the story, I almost wonder "what happens next?" regarding Telemachus. How would Telemachus have to adapt to suddenly having his Father, the Rightful King, Heroic Odysseus around all the time? Does Odysseus live up to his own legend? How would Odysseus adapt to suddenly having a full-grown son that he knows nearly nothing about?

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